PDF Ebook L'amica geniale: Libro primo
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L'amica geniale: Libro primo
PDF Ebook L'amica geniale: Libro primo
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Audible Audiobook
Listening Length: 11 hours and 49 minutes
Program Type: Audiobook
Version: Unabridged
Publisher: Emons Edizioni
Audible.com Release Date: April 27, 2015
Language: Italian, Italian
ASIN: B00WRDUU3K
Amazon Best Sellers Rank:
The first volume in a set of four about the life-long friendship between two working-class girls in Naples. Elena is the narrator, and her early life, beginning when they are 8 or 10 years old, has as its center of gravity her intensely close but problematic relationship with her friend Lila. Lila is indeed brilliant both intellectually and socially. In the social arena she shows great charisma and ferocious courage. I think she is one of the greatest heroines in contemporary fiction, or in fiction full stop. This book explores the violence and exploitation to which girls and women are subjected, especially in a working-class neighborhood where everyone is struggling to survive or to get ahead, or escape. In the background, but often coming to the fore, are the political conflicts stirring in the wake of WWII during the 50s-60s. The politics are dealt with both at an intellectual level, in discussions people have, and is embodied concretely in the lives they lead and the positions they find themselves in. Some of this may be confusing to readers who are not familiar with Italian politics, or European politics more generally. We also learn that the language and culture in Naples is quite different from other areas; the difference is greater between what people in the US or UK call dialects. Here the background is that the various regions and city-states of medieval and then early modern Italy never have formed a very cohesive union or integration. It may be surprising to some readers that the girls in Naples have to struggle to learn to speak "Italian" in school. Once they do, they have a chance to move up in society, but they also risk becoming alienated from their other childhood friends and their own family members, most of whom never have that opportunity.
I read l'Amica Geniale in the original italian, so i cannot spek of the English translation.I found it to be definitely engrossing. I could not wait to get back to reading it, and as soon as I finished it i bought the following book.It's very well written, in a deceptively plain style, and the psychological traits of the two girls' personalities are very subtly and convincingly outlined. They are surrounded by a host of neighborhood personalities, mostly well outlined, amusing and unique.I cannot see, having grown up in Italy, how an American would understand the Neapolitan culture, which is very unique, and is viewed in Italy similarly to the way Cajun culture is considered in the US, having its own specific customs, quirks and characters.But the succes of Elena Ferrante's books in the US shows that enough of the original comes through, in the English translation.
My Italian is not altogether fluent, so I stop to look up a couple words per page, but I can say that, although I am not finished, this is a terrific book, quite raw and tough in that Neapolitan way, with very nuanced characters who come across well as unique individuals in an unusual relationship. I am happy to have discovered this author.Tthe level of Italian language is moderately difficult. I was afraid there would be a lot of Neapolitan dialect, colorful no doubt, but hard to find in a dictionary. This has not proven to be a problem so far.
I read it in Italian, a difficult language for me, but this time I had no major difficulties, thanks to the interest of the story, the direct way in which it is written, and the great simple prose of the author.I ended it with some mixed feelings: in a way I felt like I've just read one of the greatest novels of my life. In another way I felt something is missing in order to make it a great, great novel.Definitely, it deserves to be read. I understand perfectly the great interest in Elena Ferrante's novels all around the word. I'm now starting the second book of this series.
I read it in Italian, and I appreciated the style and the story. The frame is interesting, the picture of Naple's poor areas and the contrast with the "other" city is clearly pictured, even if the last is just suggested. The protagonists are incredibly well profiled, and the author emerges from the narrator/Lenù.However, I was expecting more, it is a well written book, not a masterpiece as described.
When you start reading you will be transported in the world the author describes- you will walk the dusty unpaved streets, you will climb the heavy stairs of the buildings, you will feel the cold air coming from the dark basement and you will truly understand what it meant to be plebes.
Before you start reading, I recommend copying and printing out the extensive cast of characters, making it easier to refer to it. Ferrante explores the relationship between 2 gifted women, one of whom has a mean streak and one who usually feels insecure. It is a love-hate relationship that will last a lifetime.
Two girls in a Naples slum where everybody knows everybody and has since time immemorial. The narrator is one of them--she's an academic type, but cautious. Her crazy friend (the brilliant one) doesn't get past elementary school, but manages to get outrageous self into a comfy financial situation. Crazy like a fox!The novel is a closeup of about a decade of everyday life in postwar Naples, in a poor neighborhood peopled with folks just doing their thing.The English version, and the conjectures about its author were reviewed recently in The New Yorker magazine, but the novel I just read in Italian was much more fun and lively than I'd expected. That is if you can find humor in malignity, misogyny, poverty, hidebound tradition, and fear of the unknown. As in her earlier work, the writing style is wordy and dense. But not in a negative sense, but as a device to express the complexity of the writer's own emotions and the situation she's growing up in. The characters churn along, living entirely in their own closed world, and we are invited in for a good long look.
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